
So when Lisa at Boondock Ramblings told me she was going to do a Spring of Cary Grant, I knew I wanted in on it. She introduced me to the legend that is Grant last fall, and I am woefully behind on his films. So I am tagging along on her journey, posting along with her as well. Katja from Breath of Hallelujah is also posting with us as well!

This was it – the last in our Spring of Cary Grant series. From having never watched a Cary Grant movie up until last fall, I feel like now I am so very familiar with his range and his work. I have watched him woo women, catch thieves, clown around and be silly, work for the government, and be positively creepy as well. This one – this one had a different feeling all together. I feel like in all the roles I have seen him in, I have never watched him act so – detached and emotionless. That wasn’t his fault, it was the role he was playing, that of a no nonsense American agent. He is charged with getting Ingrid Bergman, Alicia Huberman, the daughter of a convicted Nazi spy, to help him infiltrate a group of “Germans” who are living in Rio. I feel fairly confident in saying that this movie never said the word Nazi, but that is what they were looking for.
Anyway, Huberman is supposedly perfect for the infiltration into the group – poor Alicia. That is all I can say. Her life has been determined by the men around her it seems at all times. She has to deal with the fall out from her father’s history and trial, and now she is being pretty much pressed into service for the country when she really doesn’t want to. Devlin convinces her by playing a recording of her and her father arguing, and with her claiming she loves her country, America. She reluctantly agrees.

While waiting for the assignment to go through, Devlin and Huberman fall in love, despite Devlin seeming to also loathe her, and her former promiscuity and drinking. She has been a “new woman” the last week or so, not drinking or sleeping around, yet he slams her telling her that she will eventually go back. She looks so upset as she asks why he just can’t believe in her, and I agree, that would be nice and he really shouldn’t be so judgy and blunt, she has some pretty serious trauma to work through, but I guess it has only been a week.
The assignment comes and Huberman is supposed to use her feminine wiles to work her way into the group via Alex Sebastian, played by Claude Rains. Devlin has information that Sebastian has been infatuated with Huberman for a long time, which is gross because it sounds like she was a child perhaps when they met, since she later thanks Sebastian for overlooking her bratty years. Anyway, Devlin tells Huberman about this assignment and she wants to know if he spoke up for her, telling them that no, that is not something she could do, wanting him to show her that he loved her. He has never told her that he loves her, not then and not earlier, despite them having the longest kissing scene in the movies for that time. I’ll talk about that in a bit, it was interesting!
So Huberman and Devlin contrive a way for Huberman to literally catch Sebastian’s eye, it works, and he woos her and she lets him. She mentions later to Devlin at one of their info dumps where she reports in to him what she has seen, including the removal of a man from a dinner party after he totally freaks out after spotting a wine bottle and it is heavily implied that he is killed for being a weak link on his way home, that Devlin can add Sebastian to her list of “playmates”. You know she wants him to act jealous or something to show he cares, but nada. Later on, Sebastian proposes, and when Huberman tells Devlin and the American agency, they encourage her to do it, although she is secretly desiring Devlin to tell her not to. But she does it, probably to make Devlin happy. So now she is married to a pretty bad dude who has seemed to have been infatuated with her even as a child or young person. He also has a weird relationship with his mother, which hints of Psycho another Hitchcock film. His mom is always embroidering, and every time I saw her in the background, sewing away, it made me think of Madame Defarge in A Tale of Two Cities and her constant knitting of the names about to be killed. (foreshadow, foreshadow)
Devlin needs to look at the wine cellar because that info about the wine bottle made them awfully suspicious. He and Huberman manage to work it out, and I won’t do a play by play on this part because I thought this part was very well executed and it should be watched. Despite all of their best efforts however, Sebastian figures out that Huberman is working with American agents and he goes to mommy to report it. He wants to just off her since once his friends find out, he is a dead man walking. His mom however tells him no, no, it needs to be more subtle, so no one suspects anything. She suggests a mysterious lingering illness, and the two (or maybe just her!) begin to poison Huberman.

Huberman pieces it all together but it is too late – she is too weak to get away and they also remove her phone from her room so she can’t make any calls. After she misses a week of meetings with Devlin, the agency is like wow she must be on a real bender, but Devlin is like no, I thought she was drunk when I last saw her but now in retrospect I think she was ill. Too bad he couldn’t believe in her sooner guys! He goes to the Sebastian residence to check on her, finds her laying there severely ill and on the verge of death probably, and ….. you will have to watch to see the end. I am just not saying. It was the best part in this movie. Although I have lots of thoughts so if you have seen it and want to chat with me about it in the comments feel free.
Now, I mentioned the “notorious” kissing scene!

At the time, kisses were to be no longer than three seconds. Well Hitchcock got around those pesky censors, and created a kissing scene that was 3 minutes long, but made up of kisses that only last a few seconds at a time. The two kissed, nuzzled, cuddled, continued little kisses in the midst of conversation, even a telephone call, and this stretched into a three minutes long scene where it was quite obvious there was obviously something between these two….

Jokes aside, it was a great scene, well executed by all involved.
Overall, this was probably my least favorite that we watched. I felt so terrible for Ingrid Bergman the entire movie, and I felt like Cary Grant was a little too stiff and blah despite the kissing scene. I think this was more of an Ingrid Bergman movie, with Cary Grant also starring in it. She just stole this movie from everyone, which in a movie where a woman is ultimately always at the mercy of men, was fantastic irony. Or was it?
Anyway, just my two cents, early in the morning as I drink my first cup of coffee and reflect on this film.
I absolutely loved participating in Spring of Cary Grant with Lisa and Katja. We watched so many good movies, and I think there was only one I didn’t care for out of them all. I still can’t tell you my favorite! Cary Grant is very swoony and I can see why he was a leading man for so long. Plus his acting range is amazing, he could literally pull off any role.
And that’s a wrap folks!
Updated to add: I did not hate this movie. And I remember after the coffee started working that there was one of his movies I disliked more. However, this one was not one of my favorites. I just felt so angry and upset on Bergman’s behalf! She was a very sympathetic character to me.
To see Lisa’s thoughts, visit her here. For Katja, visit her here.











